YOYSEF KIRMAN (March 22, 1896-November 3, 1943)
A poet
and author of stories, he was born in Warsaw, into a poor family. He studied in religious elementary school,
and later he became a laborer living in need.
He was arrested on political grounds.
During WWII he concealed his wife and two children, and only he died in the
Poniatów concentration camp.[1] He debuted in print with poetry in Ringen (Links) in Warsaw (1919), He also wrote for: Arbeter-tsaytung (Workers’ newspaper), Bafrayung (Liberation), Literarishe
bleter (Literary leaves), Folkstsaytung
(People’s newspaper), Di fraye yugnt
(The free youth), Varshever shriftn
(Warsaw writings), Varshever almanakh
(Warsaw almanac), Yidishe kultur
(Jewish culture) in New York, and Opatoshu and Leivick’s Zamlbikher (Anthologies), among others. His poetry also appeared in: Amol iz a yoyvl (There was once a
jubilee), vol. 2 (Warsaw-Vilna, 1931); Paner and Frenkel’s Naye yidishe dikhtung (Modern Yiddish poetry), (Iași, 1947); Binem
Heler, Dos lid iz geblibn, lider
fun yidishe dikhter in poyln, umgekumene beys der hitlerisher okupatsye,
antologye (The poem remains, poems by Jewish poets in Poland, murdered
during the Hitler occupation, anthology) (Warsaw, 1951); Joseph Milbauer, comp., Poètes yiddish d’aujourhui (Contemporary Yiddish poets) (Paris,
1936); and Hubert Witt, Der Fiedler vom Getto: Jiddische Dichtung aus Polen (The fiddler of
the ghetto, Yiddish poetry from Poland) (Leipzig, 1966). Kirman wrote many poems and stories in the
ghetto. Some of them were discovered in
Ringelblum’s archive. In B. Mark’s
anthology, Tsvishn lebn un toyt, literarishe
shafungen in di getos un lagern (Between life and
death, literary creations in the ghettos and concentration camps) (Warsaw:
Yidish-bukh, 1955), further works by Kirman were published: “Der khesed fun a
shtiln toyt” (The grace of a quiet death), “Kh’red tsu dir ofn” (I speak to you
frequently), “Mayn kind” (My child), and the short poems in prose, “Fun
pleytim-shtetl dzhike un niske” (From the refugees’ town, Dzika and Niska) and “Froy
kratshevitshes toyt” (Mrs. Kraszewicz’s death). In book form: Iber shtok un shteyn, lider un poemen (Over hill and dale, poetry)
(Vilna: B. Kletskin, 1930), 150 pp. Kirman
was “a worker-poet,” wrote Zalmen Reyzen, “….
He excelled at simplicity and strength of expression, although he also
mastered the modern complex poetic forms.”
“Yoysef Kirman was the singer of the Warsaw Ghetto,” noted Meylekh
Ravitsh, “for one and one-half decades before the ghetto…. He neither wrote nor spoke about anything
other than the want of the poor Jewish street in Warsaw.”
Sources: Zalmen Reyzen, Leksikon, vol. 3; Meylekh Ravitsh, Mayn leksikon (My lexicon), vol. 1 (Montreal, 1945); Y. Perle, in Literarishe bleter (Warsaw) (November
21, 1930); Tsushteyer (Lemberg) 3
(1931); B. Mark, Umgekumene shrayber fun di getos un lagern (Murdered
writers from the ghettos and camps) (Warsaw, 1954), pp. 54, 58, 62ff; Rokhl Oyerbakh, in Yedies yad vashem (Information from Yad
Vashem) (Jerusalem) (Nisan 1956); Y. Papyernikov, Heymishe un noente, demonungen (Familiar and close at hand,
remembrances) (Tel Aviv: Perets Publ., 1958), pp. 254-55; Gershon Pomerants, Geshtaltn fun mayn dor (Figures from my
generation) (Tel Aviv: Perets Publ., 1971), pp. 54-68; Yeshurin archive, YIVO
(New York).
Dr. Noyekh Gris
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