(YISROEL-)ARYE
POZI (ARNOLD POSY) (March 21, 1893-January 29, 1986)
He was born Yisroel-Arye Pozikov in
the village of Tshigrinovke (Chigrinovka), Mohilev Province, Byelorussia. He attended yeshiva and a technical school
run by YIKO (Jewish Cultural Organization), and he passed the senior high
school examinations as an external student.
In 1914 he immigrated to London and in 1920 to the United States. He was a teacher in the Chicago
Sholem-Aleichem schools and later ran a print shop in New York. He was: co-editor of Idisher ekspres (Jewish express) in London; editor of Oyfbroyz (Spurt), a quarterly journal of
literature, art, and cultural matters in Chicago (1928); and editor of the
weekly Milvoker idishe shtime (Jewish
voice of Milwaukee) (1930-1932). He
published correspondence pieces, articles, stories, dramas, and essays in: Keneder odler (Canadian eagle) in
Montreal; Di tribune (The tribune) in
Copenhagen; Grininke beymelekh
(Little green trees) in Vilna; Unzer bukh
(Our book), Di feder (The pen), Oyfkum (Arise), Yidishe shriftn (Yiddish writings), and Kinder zhurnal (Children’s magazine), among others, in New York;
and Idisher ekspres in London. In English he wrote for (and was editor,
1949-1950) of the monthly The Jewish Home
and was editor from 1950 of American
Jewish Life which appeared six times each year. He also edited the Yiddish-English weekly Kosher butsher shtime (Voice of the
Kosher butcher). In book form: Di milkhome un yidn frage (The war and
the Jewish problem), with a foreword by Y. M. Zalkind (London, 1916), 32 pp.; Der binshtok, a shpil in tsvey stsenes
(The beehive, a play in two scenes) (Chicago: L. M. Shteyn, 1927), 36 pp., also
translated into Russian; Shalit un tamare,
roman (Shalit and Tamara, a novel) (Vilna: Goldbeyl, 1929), 248 pp.; Der oyfshtand fun di kinder, a shpil in finf
bilder (The uprising of the children, a play in five scenes) (Vilna: Naye
yidish folksshul, 1930), 28 pp.; Yoyesh,
a shpil in zibn bilder (Yehoash, a play in seven scenes) (Vilna: B.
Kletskin, 1931), 160 pp.; Trukene beyner,
a purim-shpil in eyn akt, fun di fir zin fun der hagode (Dry bones, a Purim
play in one act, from the four sons of the Haggadah) (New York: Max Janowitz,
1932), 56 pp.; Haknkrayts, a drame in eyn
un tsvantsik bilder un a forshpil (Swastika, a drama in twenty-one scenes
with a prologue) (New York: Signal, 1935), 255 pp.; Yoysef, a dramatishe poeme in dray aktn mit a prolog (Joseph, a
dramatic poem in three acts with a prologue) (Chicago: Tsheshinski, 1939), 199
pp.; Der nes, a folkstimlekhe geshikhte
in eyn akt (The miracle, a people’s play in one act) (New York: Yidishe
shriftn, 1943), 32 pp.; Baginen
(Dawn) (Tel Aviv: Perets Publ., 1981), 335 pp.
He also published a number of pamphlets in English. Among his pen names: A. Izraeli, Ben Mortkhe,
Abu Menakhem, Y. A. Gingold, and Arnold Lazarev. He died in Los Angeles, where he had been
editor of the journal Kheshbn (The
score).
Sources:
Zalmen Zilbertsvayg, Leksikon fun yidishn teater (Handbook of the Yiddish
theater), vol. 3 (New York, 1959), with a bibliography; Shmuel Niger, in Der tog (New York) (April 30, 1928;
November 1, 1936); Avrom Reyzen, in Di
feder (New York) (May 1928); Y. Botoshanski, in Di prese (Buenos Aires) (March 11, 1931); Zalmen Reyzen, in Morgn zhurnal (New York) (October 5,
1931); P. Vyernik, in Morgn zhurnal
(February 7, 1932); Z. Vaynper, in Oyfkum
(New York) (November-December 1935); Herman Gold, in Byu-yorker vokhnbkat (New York) (January 3, 1936); A. Mukdoni, in Morgn zhurnal (January 24, 1936); L.
Zhitnitski, in Di prese (April 1,
1936); D. Tsharni (Daniel Charney), in Khodesh
byuletin fun alveltlekhn yidishn kultur farband (Paris) (March-April 1938);
Kh. Liberman, Di shtime fun tol,
zamlbukh fun briv un artiklen fun rabonim, shriftshteler, dikhter, kinstler,
lerer, klal-tuer un mentshn fun folk vegn der idisher frage un der hayntiker
tsayt, geshribn in shaykhes mitn bikhl “In tol fun toyt”, tsuzamengeshtelt mit
bamerkungen fun khayim liberman (The voice of the valley, a collection of
letters and articles from rabbis, writers, poets, artists, teachers, community
leaders, and ordinary folks on the Jewish question and contemporary times,
written in conjunction with the pamphlet In
tol fun toyt, compiled with observations by Khayim Liberman) (New York,
1940), p. 105; Leye Mishkin, in Pinkes
shikago (1951/1952).
Benyomen Elis
[Additional
information from: Berl Kagan, comp., Leksikon
fun yidish-shraybers (Biographical dictionary of Yiddish writers) (New
York, 1986), cols. 423, 548.]
Hello Joshua Fogel:I am Arnold Posy;s daughter. This was just sent to me. Some of what is recorded here is familiar to me and some is not. Seeing references to so many of his literary works in one place brings him to life for me/us in a new way. You can not imagine the enormity of the gift you have given me/us. i think you are missing one reference, his last published book was actually the first novel he ever wrote. I don't remember the name in Yiddish, as i recall it meant Dawn in English. It was published by an Israeli press. I am also a writer and my two novels on Jewish subjects are What Dinah Thought, Ballentine and The Other Hand, Red Hen Press. I am writing to express my gratitude. If you wish to contact me please write deenametzger@icloud.com. http://deenametzger.net Many blessings, Deena Metzger
ReplyDeleteDear Deena,
ReplyDeleteIt is for people like you that I am translating this massive biographical dictionary. Your message is extremely heartening. Your father's novel is in the entry: Baginen (Dawn) from 1981. Many thanks for your message.
Josh