HIRSH
DOBIN (April 10, 1905-2001)
He was prose author, born in the
city of Zhlobin, Byelorussia, into a poor family. He grew up in and was educated under the
influence of the Bolshevik regime, studying in an evening school and becoming a
cobbler. In late 1926 he moved to Kharkov and worked in a cobbler’s workshop,
later in a shoe factory. He moved to Birobidzhan in 1932, and there he joined
the editorial board of the newspaper Birobidzhaner
shtern (Birobidzhan star) and the radio committee. He was purged in 1937,
but after two years in prison he was freed. In 1940 he returned to Minsk and
worked there on the editorial board of the newspaper Oktyabr (October). It was there that WWII caught up with him, and
he was trapped in the Minsk ghetto where he served as a member of the
underground anti-fascist organization. He escaped from the ghetto to the
partisans and became a fighter in a partisan brigade. After the war he lived in
Moscow, and from 1992 he lived in Rishon Leziyyon in Israel.
Dobin began writing stories and
poems in his early youth. He debuted in print with a story, “Khanke” (Little
Hannah) in the Kharkov Yiddish newspaper Der
shtern (The star) in 1928. In 1931 his collection of stories, Arum a mil (Around a mill) appeared in
print in Kharkov. These early works embodied the essential motifs of the
reconstruction process, social struggles, and various war conflicts. Already he
demonstrated his inclination for psychological prose, and the literary critics
made special notice of this. Dobin’s artistic talent was revealed further in
his work from the Birobidzhan years—the books Baym amur (Along the Amur [River]) and Tsvishn binshtokn (Among the beehives)—which depicted new images,
phenomena, and events and his penetration with romantic, poetic, exotic hues.
The principal themes of his postwar work were those of partisan life which he
had himself experienced. This appears clearly in his novel Der koyekh fun lebn (The power of life) in which Dobin described
full-blooded images of the background of the tragic and dramatic events in the
heroic struggle against the fascists. In this he demonstrated himself a master
of realistic, psychological prose, a veteran creator of epic descriptions.
Among his books: Arum a mil, stories (Kharkov, 1931); Baym amur, a story (Moscow: Emes, 1935), 36 pp.; Tsvishn binshtokn, dertseylungen un noveln (Among the beehives, stories and novellas) (Moscow: Emes, 1941), 127 pp.; Af vaysrusisher erd, dertseylungen un noveln (On White Russian terrain, stories and novellas) (Moscow: Emes, 1947), 285 pp.; Der koyekh fun lebn (Moscow: Sovetski pisatel, 1969), 499 pp.; Erdishe vegn (Ways on the land) (Moscow: Sovetski pisatel, 1983), 300 pp. His work was also included in: Shlakhtn (Battles) (Kharkov: Ukrainian State Publishers for National Minorities, 1932); and Birebidzhan (Birobidzhan) (Moscow, 1936).
Sources: Forpost (Birobidzhan) 2 (1936); A. Kushnirov, in Naye prese (Paris) (July 27, 1945); N. Mayzil, Birobidzhan in der yidisher literatur (Birobidzhan in Yiddish literature) (Buenos Aires, May 1946); R. Rubin, in Folks-shtime (Warsaw) (June 3, 1947); Keneder odler (Montreal) (March 3, 1953).
[Additional information from: Berl Kagan, comp., Leksikon fun yidish-shraybers (Biographical dictionary of Yiddish writers) (New York, 1986), col. 184; and Chaim Beider, Leksikon fun yidishe shrayber in ratn-farband (Biographical dictionary of Yiddish writers in the Soviet Union), ed. Boris Sandler and Gennady Estraikh (New York: Congress for Jewish Culture, Inc., 2011), pp. 94-95.]
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