YEKHEZKL NAYSHLOS (EZEKIEL SCHLOSS) (July
27, 1912-March 30, 1987)
He was born in Dvinsk (Dinaburg, Daugavpils), Latvia.
He studied in religious elementary school, in the municipal Jewish high
school, and later in the Jewish evening high school in Riga. In 1929 he became active in the Bundist youth
movement and served as chairman of the self-defense and sports organization
named for Y. L. Perets in Riga. Over the
years 1930-1933, he co-edited the monthly Arbeter
yugnt (Laboring youth), published by Bundist youth in Latvia. In 1934 he served in the Latvian army, but he
was arrested by the military for political activities. After the fascist coup of Kārlis Ulmanis in 1934, he worked with the underground Latvian
movement. In 1936 he was forced to
flee. He went through Estonia and Sweden
and immigrated to France and lived in Paris, where he was active in the Medem
Club. He contributed to an assortment of
group exhibitions of graphic design, and he painted frescoes for the pavilion of
the secular Jewish school at the Paris World Exhibition in 1937. He co-edited (1938-1939) the Parisian Bundist
daily newspaper Unzer shtime (Our
voice) and Di ilustrirte velt (The
illustrated world). From 1940 he was
living in New York. He published (1941-1942)
caricaturist drawings in Forverts
(Forward) in New York. Over the years
1942-1953, he was political caricaturist for the New York-based,
French-language newspaper Vie de France
(Life in France), Victoire (Victory),
and France américaine (Franco-American),
He also published caricatures in Anglophone newspapers and magazines: Herald Tribune, New York Times, Nation,
and New Republic. In 1948 he administered a graphic design show
for the World Jewish Culture Congress at the Jewish Museum in New York. With articles on theater, art, literature,
politics, and Jewish issues, he contributed to: Arbeter yugnt and Naye tsayt
(New times) in Riga; Unzer shtime and
Di ilustrirte velt in Paris; and Der veker (The alarm) and Kultur un dertsiung (Culture and
education) in New York; among others. In
album format he published: Tipn fun y. y.
trunks “khelemer khokhomim” (Types from Y. Y. Trunk’s “Wise men of Chełm”)
(Buenos Aires: Yidbukh, 1951), 10 pp.; in English, The E. Schloss Collection of Chinese Pottery Figurines (New York,
1963), 32 pp., with his own introduction and explanations of his figurine
collection. Aside from illustrations and
drawings in magazines in a variety of languages as well as books in Yiddish,
Hebrew, and English, he also did drawings for works by Sholem-Aleykhem, Y. L.
Perets, and for many publications with biblical themes. Many of these drawings were republished in
all manner of Jewish journals in an assortment of countries. He was active year after year at the Jewish Art
Center of the World Jewish Culture Congress in New York. He was a member of the administrative
committee of the Jewish Culture Congress.
Nayshlos was art director of the Board of Jewish Education in New York
and from 1942 editor of the English-language Jewish children’s magazine World Over, which the Board of Jewish Education
published. Among his pen names: Y. Nay
and Y. Kesl. He died in New York.
Source:
M. Dluzhnovski, in Fraye arbeter-shtime
(New York) (January 1, 1964).
Benyomen Elis
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