ARN-SHMUEL KURTS (AARON KURTZ) (July 28, 1891-May 30,
1964)
He was a
poet, born in Osve (Asvyeya?), Vitebsk Province, Byelorussia. He received a traditional education. At age thirteen, he took up wandering through
the large Russian cities outside the Pale of Settlement, working as a
hairdresser. In 1909 he returned to his
father’s home in the village of Old Slabode (Slabada), and in 1911 he made his
way to the United States. He lived in
Philadelphia, New York, and Long Beach (New York). He debuted in print with poetry in Di idishe velt (The Jewish world) in
Philadelphia (1916), also using the pen name Azrael. He published in: Z. Vaynper’s Baym fayer (By the fire) (Philadelphia, 1920);
In zikh (Introspective) (1923); 1925; 1926; Unzer bukh (Our
book) (New York, 1927-1928); Nay lebn
(New life) (New York, 1936 and later); and in his own publications Der tsvayg (The branch) (Philadelphia,
1919—four issues), Kurts’s notitsn (Kurts’s
notices) (Philadelphia, 1922—two issues), and Haytike lider (Poetry today) (New York, 1957-1964) which was a
quarterly serial of poetry which he filled out himself with poetry, essays, and
translations. Kurts rejected both the psychological
realism of the Introspectivists and the striving after intelligibility and
conventional forms of Soviet Yiddish poetry.
After 1926 when he became a member of the Communist Party, he wrote only
in leftist organs: Der hamer (The
hammer), Signal (Signal), Morgn-frayhayt (Morning freedom), Der funk (The spark), Der kamf (The struggle) in Toronto, Zamlungen (Collections), Yidishe kultur (Jewish culture), and Sovetish heymland (Soviet homeland),
among others. His poetry was represented
in: Kurland and Rokhkind, Di haynttsaytike
proletarishe yidishe dikhtung in amerike (Contemporary proletarian Yiddish
poetry in America) (Minsk: State Publ., 1932); Nakhmen Mayzil, Amerike in yidishn vort (America in the
Yiddish word) (New York, 1955); Y. A. Rontsh, Amerike in der yidisher
literatur (America in Yiddish
literature) (New York, 1945); and Charles Dobzynski, Anthologie de la poésie Yiddish, le miroir
d’un people (Anthology of Yiddish poetry, the mirror of a people) (Paris:
Gallimard, 1971). The journal Ikor (IKOR, or Yidishe
kolonizatsye organizatsye in rusland [Jewish colonization organization in
Russia]) (New York, 1932) published his two one-act plays. Others of his works include: Khaos (Chaos) (New York, 1920), 160 pp.;
Figaro, poeme (Figaro, a poem) (New
York, 1924), 64 pp.; Plakatn
(Posters), poetry (New York: Yidish lebn, 1927), 80 pp.; Di goldene shtot, lider un poemes (The golden city, poetry) (New
York: International Labor Order, 1935), 160 pp.; No-pasaran, lider, balades un poemes fun shpanishn folk in zayn kamf kegn
fashizm (No pasarán [They shall not pass], poetry and ballads of the
Spanish people in their fight against fascism) (New York, 1938), 95 pp.; Moyshe olgin (Moyshe Olgin), poetry
(Cleveland, 1940), 15 pp.; Mark shagal
(Marc Chagall), a poem (New York: Mayne lider, 1946), 94 pp., English edition, Marc Chagall: A Poem (Long Beach, NY,
1961), 92 pp.; Lider (Poetry) (New
York: Book Committee, 1966), 384 pp.
This collection does not fully reflect Kurts’s pre-Communist work. Poetically, Kurts was an epigonic
modernist. The main influences on him
were Mayakovsky, Mikhl Likht, Yankev Glatshteyn, and A. Glants-Leyeles. He expressed the two opposing poles of his
poetic personality most vividly in his figures of Figaro and Shmuel
Barbiero. As N. B. Minkov put it: “Figaro
is a chaotic fire, Barbiero—quiet, tame, fresh, and a joyous mystery known as
the earth.” He died in Long Beach.
Sources: Zalmen Reyzen, Leksikon, vol. 3; N. B. Minkov, in 1925 (New York) 1 (1925); H. Gold, in Unzer bukh (New York) 1 (1926), pp. 371-73; Yankev Glatshteyn, in Unzer bukh 1 (1926), pp. 53-54; D. B.
Malkin, in Bikher-velt (Warsaw)
(1928), p. 345; A. Pomerants, in Proletpen
(Kiev) (1935), p. 237; L. Khanukov, Literarishe
eseyen (Literary essays) (New York, 1960), pp. 108-21; B. Grin, in Idishe kultur (New York) (November
1964); Y. Yeshurin, Arn kurts-biblyografye
(Bibliography for Arn Kurts) (New York, 1966).
Dr. Dovid Roskes
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