YANKEV-SHMUEL
TOYBISH (JACOB SAMUEL TAUBES) (August 13, 1898-February 2, 1975)
He was born in Kolomaye, eastern
Galicia, the son of the writer Leybl Toybish (Toybsh). He studied in religious primary school and
Hebrew with a private tutor. Over the
years 1905-1909 he attended public school, later high school in Czernowitz and
Lemberg. He served in the Austrian army,
1916-1918. In 1918 he completed high
school in Vienna, and then went on to study law, philosophy, and natural
science at the university. He worked as
a bank employee in Vienna. He lived in
Paris, 1925-1929, and then returned to Vienna.
In November 1938, during the pogrom in Vienna, he was deported to the
concentration camp of Dachau, but because of his earlier military service he
was set free. That year he emigrated to
London, England, and from there in 1939 he moved to New York. He began writing religious sonnets after
being at the front during WWI. Dr.
Nathan Birnbaum (Nosn Birnboym) published his first poems in the anthology Yontef bikher (Holiday books) (Brin,
1917). He later published poems and
essays in Jüdische Morgenpost (Jewish
morning mail) and other German Jewish periodicals in Vienna. He later published in: Di tsayt (The times), Loshn
un lebn (Language and life), in Hebrew in Hamesila (The roadway), and in the English-language New Judaea—all in London. After arriving in the United States, he wrote
for: Tsukunft (Future), Morgn-zhurnal (Morning journal), Tog (Day), Afn shvel (At the threshold), and Der id (The Jew)—in New York; Shriftn
(Writings) and Der shpigl (The
mirror) in Buenos Aires; Kiem
(Existence) in Paris; Keneder odler (Canadian
eagle) in Montreal; and others. His
books include: Der khiev fun aveyles,
esey (The obligation to mourn, essay) (London, 1944), 77 pp.; Gezamlte lider (Collected poems), 3
parts (London, 1946), 152 pp.; Af yidishe
yesoydes, eseyen (On Jewish foundations, essays) (London, 1948), 80 pp.; Yidish—nisht hebreish (Yiddish, not
Hebrew) (New York, 1952), 80 pp.; Tsvey mol
khay, 36 yidishe limeriks (Two times khay
[18], thirty-six Yiddish limericks) (New York, 1962), 68 pp.; Khsidim dertseyln (Hassidim recount)
(Los Angeles, 1971), one volume in typescript, nothing further; Sonetn fun a mamen (Sonnets from a mother)
(Tel Aviv: Perets Publ., 1973), 75 pp. “Just
as the Jewish Enlightenment used Hebrew under the cloak of ‘grammar’ in its
struggle again Jewishness and Yiddish,” wrote Yankev Glatshteyn, “so too is the
contemporary popularity of Hebrew, in many instances, nothing more than a
refined camouflage, a sly disguise in the fight against Jewishness and Yiddish.” What differentiates Toybish’s poetry, noted
Glatshteyn: “The poet of religious song, Yankev-Shmuel Toybish appears to have
succeeded in creating devout poems, and between them and the master of the
universe there would seem to be no arrogance in writing poetry.” He died in New York.
Sources:
H. Leivik, in Tog (New York)
(February 10, 1945); B. Rivkin, in Idisher
kemfer (New York) (May 18, 1945); A. N. Shtentsl, in Loshn un lebn (London) (August 1946); Dr. Sh. Birnboym, in Di vokhntsaytung (London) (December 6,
1946); Meylekh Ravitsh, in Keneder odler
(Montreal) (January 20, 1947; September 7, 1953); Di prese (Buenos Aires) (January 26, 1948); Yankev Glatshteyn, in Idisher kemfer (July 3, 1953); Y.
Bronshteyn, in Unter eyn dakh (Los
Angeles) 8 (1956).
Zaynvl Diamant
[Additional
information from: Berl Kagan, comp., Leksikon
fun yidish-shraybers (Biographical dictionary of Yiddish writers) (New
York, 1986), col. 279.]
No comments:
Post a Comment