DOVID (DAVID) APOTHEKER (August 28, 1855-October 23,
1911)
Born in Ponevezh (Panevezys [Lithuania]). His father was a Maskil. At age ten he became a student in the yeshiva
of Moyshe-Leyb Lilienblum in Vilkomir [Ukmergė], and later he was a free auditor at Kiev University. In 1879 he was arrested for revolutionary
activities. He escaped from exile and
settled in Czernowitz. In his youth, he
wrote in Hebrew. In 1881 his first work
in Yiddish was published in Czernowitz: Hanevel—di layer, tsen sheyne
folkslider iber di vikhtigste fragen der yuden, af hebreish und yudish-daytsh
mit zeyer sheyne melodyen (The lyre, ten beautiful folksongs on the most
important questions for Jews in Hebrew and Judeo-German with very beautiful
melodies)—the first specimen of enlightenment-socialist, rhymed, educational current
events pieces in Yiddish. At the same
time, he also published a satirical booklet entitled Sefer ha-tikun, Shukhan
orekh hilkhot tikun (Book of improvement: the prepared table, laws on
remedies), and he contributed periodical writings in Yiddish, Hebrew, and
German. In 1888 he emigrated to the
United States. After an unsuccessful
effort to found a communal colony, he later founded and led over the course of
three years a union in Brooklyn that he managed with a women’s clothing shop on
the basis of cooperative principles. He
opened a publishing house and began to print such humorous and satirical newspapers
as Di baytsh (The whip) and Di fledermoyz (The bat), as well as such
weeklies as Di naye heymat (The new homeland) and Dos folksblat
(The people’s paper) (1889). He
collaborated with Moris Veksler’s Nayeste post (Newest news), and with
the anarchist Varhayt (Truth), Tageblat (Daily news), and Folks-advokat
(Advocate for the people), among others.
In 1895 he settled in Philadelphia and founded a weekly magazine
entitled Di gegenvart (The present) in which he published a novel about
Jewish American life, Di farblondzhete (The lost ones). He took part in Jewish community life in
Philadelphia. He founded dramatic
associations and philanthropic institutions, and he was active in the trade
union movement. In 1909 he edited in New
York a collection entitled Di yidishe bine (The Yiddish stage). In 1910 he collaborated with such humorous
magazines as Der kibetser (The joker) and Kundes (Prankster)
using the pseudonym “Der hungeriker shlimazl” (The hungry ne’er-do-well), and
published poems and songs in Varhayt.
In 1910 he published his book, Humoristishe shriftn (Humorous
writings) (New York), vol. 1, 300 pp.; vol. 2 appeared in 1912. He left behind in handwritten form an entire
series of theater pieces, dramas, comedies, and vaudeville pieces: Kutshme
(Mop of hair), Gayster (Spirits), and In a shvakhn moment (In a
weak moment). Amateur troupes have at
different times performed his works: Der letster shtrayk (The last
strike), Meshiekhs tsaytn (Messianic times), Gumpls seyder (Gumpl’s
seder), and Der anarkhist (The anarchist), among others.
Sources:
Zalmen Reyzen, Leksikon, vol. 1; B. Gorin, Di geshikhte fun yidishn
teater (History of the Yiddish theater) (New York, 1929), vol. 2, p. 66; M.
Bassin, Antologye (Anthology) (New York, 1917), vol. 1, p. 228; M.
Shtarkman, “Ivrim ke-khalutse yidish ba-amerikah” (Pioneers of Yiddish in
America), Metsudah 7 (1954); Zalmen Zilbertsvayg, Teater-leksikon
(Theater handbook), vol. 1; Y. Kopelov, Amol in amerike (Once in
America) (Warsaw, 1928); Y. Shatski, ed., Hundert yor goldfadn
(Centenary for Goldfaden) (YIVO: New York, 1940), p. 109.
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