ITSIK FEFER (ITZIK FEFFER) (September 23, 1900-August 12, 1952)
He was born in Shpola, Kiev region, Ukraine. His father was a teacher and not religious. He had a great influence on Itsik. At age twelve he began working in a print shop. For a time in his youth he joined the Bund. During the Soviet civil war, he volunteered to join the Red Army. He directed underground work in Kiev during the period of Denikin’s control, was thrown in jail, and was barely saved from certain death. From 1919 he was a member of the Communist Party, and he held a number of Party posts. He began writing poetry when quite young. He debuted in print in 1919 with a poem in the Kiev newspaper Komunistishe fon (Communist banner). In subsequent years, he published poetry, plays, polemics, and articles on writers and literature in newspapers, magazines, almanacs, and the like: Yugnt (Youth), Naye tsayt (New times), Barg aruf (Uphill), Folks-tsaytung (People’s newspaper), Komunistishe fon, Shtern (Star), Ukraine (Ukraine), Proletarishe fon (Proletarian banner), Shtrom (Current), Farmest (Competition), Prolit (Proletarian literature), Di royte velt (The red world), Af barikadn (At the barricades), Sovetishe literatur (Soviet literature), Almanakh fun yidishe sovetishe shrayber (Almanac of Soviet Yiddish writers), and Shlakhtn (Battles), among others, in Kiev-Kharkov; Oktyabr (October) and Der shtern (The star), among others, in Minsk; Nayerd (New land), In iberboy (Under reconstruction), Komyug (Communist youth), Far der bine (Before the stage), Sovetishe dikhtung (Soviet poetry), Lomir zingen (Let’s sing), Heymland (Homeland), and Eynikeyt (Unity), among others, in Moscow; Literarishe bleter (Literary leaves) in Warsaw; and Frayhayt (Freedom), Hamer (Hammer), Yidishe kultur (Jewish culture), and Af naye vegn (Along new roads), among others, in New York. At one time or another, he edited: Prolit, Farmest, and Sovetishe literatur. Many of his works were republished in various newspapers and magazines throughout the entire Yiddish world. Fefer was one of the leaders of the Kiev writers’ group “Vidervuks” (New growth), from whose publishing house appeared his first collection of poetry, Shpener (Chips) (Kiev, 1922): “which expresses,” wrote Zalmen Reyzen, “the youthful, singing joy of the new generation of Soviet Yiddish poets. In his subsequent development, he and Izi Kharik stood at the head of this group of Yiddish poets in the Soviet Union, who turned to the shtetl and introduced into Yiddish poetry a new folk sensibility.” In 1926 he was a research student in the literature section of the Yiddish department in the Ukrainian Academy of Sciences. He gave the inaugural address at the All-Ukrainian Conference of Jewish Proletarian Writers (December 21, 1927) in Kharkov. He often gave public speeches and lectures before thousands of laborers in large halls and factories, and throughout virtually all the years of his writing career, he was energetically involved at every literary and ideological front line. In name he was almost always linked to all Jewish community and Yiddish literary events, earlier in Ukraine and later in Moscow. In Yiddish literary centers of the Soviet Union, there was no single battle or polemic in which he did not participate. There was in the Soviet Union virtually no single literary journal, literary collection, or almanac of which he was not a member of the editorial board or co-editor. On a number of occasions, he translated from modern Ukrainian poetry. He also adapted Yankev Gordin’s Khasye di yesoyme (Khasye the orphan) for the stage, and it was performed in 1927 at the Kiev State Theater under the title Koymenkerer (Chimneysweep). A number of his poems were sung and recited by artists outside Russia as well. Fefer brought to Soviet Yiddish literature the air of battle; he personified a new type of poet of the revolution, a new type of artist of the folk masses. He sang of the collective farms and of Communist youths from villages and towns. He wrote for the masses, not just for the select, for grandfathers and grandmothers in his “simple prose.” His books would include: Shpener (Kiev: Vidervuks, 1922), 32 pp.; Vegn zikh un azoyne vi ikh (About me and those like me), poetry (Kiev: Ukrainian State Publ., 1924), 93 pp.; Proste trit (Simple footsteps) (Kiev: Kultur-lige, 1925), 64 pp.; Gezamlte verk (Collected works), vol. 1 (1925); A shayn tsu a shayn (Light to light), poetry (Kiev: Ukrainian State Publ., 1925), 94 pp.; Gefunene funken (Discovered sparks) (Kiev: Kultur-lige, 1928), 93 pp.; Elyes toyt, poeme (Elye’s death, a poem) (Kharkov: Gezkult, 1928), 35 pp.; Geklibene verk (Selected works) (Kharkov: State Publ., 1929), 371 pp.; Mayselekh in ferzn (Stories in verse) (Minsk: Byelorussian State Publ., 1929), 32 pp.; Shlek (Nuisances), a revue in four scenes, with Ezra Fininberg (Kharkov: State Publ., 1930), 142 pp.; Gevetn (Wagers) (Kiev: Kultur-lige, 1930), 239 pp.; Far groys un kleyn (For big and small), children’s poetry (Minsk, 1930), 52 pp.; Bliendike mistn, poeme (Manure in bloom, a poem) (Moscow: Central Publ., 1931), 11 pp.; Gruzye, poeme (Georgia, a poem) (Kharkov: Literatur un kunst, 1931), 89 pp.; Plakatn af bronze, plakatn, pamfletn, satire, noveln, lozungen, faḳtn (Placards on bronze, placards, pamphlets, satire, novellas, slogans, facts) (Moscow: Central Publ., 1931), 117 pp.; Dos taybele un andere mayselekh (The little dove and other stories) (Moscow: Central Publ., 1931), 40 pp.; Di oyfgabes fun der yidisher proletarisher literatur in rekonstruktivn peryod (The tasks of Yiddish proletarian literature in the reconstruction period), stenographic report (Kiev, 1932), 55 pp.; Gezamlte verk (1918-1925) (Kharkov: Literatur un kunst, 1932), 230 pp.; Plastn (Layers) (Kharkov: State Publ., 1932), 182 pp., second edition (Kiev, 1934), 130 pp.; Di yidishe literatur in di kapitalistishe lender (Yiddish literature in the capitalist countries) (Kharkov-Kiev: State Publ. for National Minorities, USSR, 1933), 107 pp.; Geklibns (Selections), special for school (Moscow, 1933), 160 pp.; Tsvishn himl un ayz (Between sky and ice), a poem (Kharkov, 1934), 32 pp.; Yatn (Guys) (Kharkov, 1934), 231 pp.; Lider un poemes, 1925-1928 (Poetry, 1925-1928) (Kharkov: Literatur un kunst, 1934), 299 pp.; Lenin in der kinstlerisher literatur (Lenin in artistic literature), with M. Khashtshevatski (Kharkov-Kiev, 1934), 192 pp.; Lebn zol dos lebn (Let life live) (Kharkov, 1934), 189 pp.; Lider (Poems) (Moscow: Emes, 1935), 140 pp., with a preface by B. Olyevski; Mit hayntike oygn (With contemporary eyes) (Kiev-Kharkov: Literatur un kunst, 1935), 182 pp.; Fayln af mayln (Arrows over miles) (Kiev: State Publ. for National Minorities, USSR, 1935), 182 pp.; Kraft (Force) (Kiev: State Publ., 1937), 274 pp., second edition (Kiev, 1941); Ba di gruzinishe yidn (With Georgian Jews) (Kiev, 1938), 23 pp.; Dos goldene fiksl, fantastishe poeme (The little golden fox, a fantasy poem) (Moscow: Emes, 1938), 46 pp.; Geklibene verk (Kiev, 1938), 282 pp.; Frages fun sholem-aleykhems shafung (Issues drawn from the works of Sholem-Aleichem), bulletin from the Sholem-Aleichem session of the division for social sciences (Kiev: Academy of Sciences, Ukrainian S.S.R., 1939), 35 pp.; Groyse grenetsn, roman in ferzn (Great borders, a novel in verse) (Kiev: State Literary Publ., 1939), 317 pp.; Birobidzhaner lider (Birobidzhan poems) (Kiev: State Publ. for National Minorities, USSR, 1939), 22 pp.; Geklibns (Kiev: State Publ. for National Minorities, USSR, 1940), 196 pp.; Vunderland (Wonderland) (Kiev: Kiev: State Publ. for National Minorities, USSR, 1940), 260 pp.; Tsen mayselekh (Ten stories) (Kiev, 1940); In a mazldike sho (Good luck!) (Kiev: Kiev: State Publ. for National Minorities, USSR, 1941), 182 pp.; Milkhome-balades (War ballads) (Moscow: Emes, 1943), 63 pp.; Roytarmeyish (Like the Red Army) (New York: IKUF, 1943), 125 pp.; Shotns fun varshever geto (Shadows of the Warsaw Ghetto) (New York: IKUF, 1945), 76 pp., second edition (1963); Shayn un opshayn (Light and reflection) (Moscow: Emes, 1946), 215 pp.; Afsnay, lider (Renewal, poems) (Moscow: Emes, 1948), 243 pp.; Lider, balades, poemes, oysderveylts (Poems and ballads, selected) (Moscow: Sovetski pisatel, 1967), 436 pp. In 1939 he received the Order of Honor, and in 1941 the Order of Lenin. When Germany invaded the Soviet Union, he served as secretary of the Jewish Anti-Fascist Committee in Moscow. In June 1943, together with Shloyme Mikhoels, he traveled around giving talks in England, Canada, Mexico, and the United States to mobilize Jewish public opinion on behalf of the Soviet Union in its fight against fascism. In the Polo Grounds in New York, he spoke before several tens of thousands of people about German crimes against the Jewish people. He lived, 1946-1947, mostly in Moscow, where he was active in the community and as a co-editor of the newspaper Eynikeyt and the journal Heymland. At that time, the Moscow theater staged his new play Di zun fargeyt nisht (The sun doesn’t set). In late 1948 at the time of the liquidation of Yiddish culture in the Soviet Union, he and Dovid Hofshteyn, Perets Markish, and Dovid Bergelson, among others, were arrested and tortured for four years in the Lubyanka Prison in Moscow, and he was then shot by the N.K.V.D. [Soviet secret police] on August 12, 1952. In 1957 a volume of his poetry was published in Russian in Moscow. Fefer’s work was also represented in Shimshon Meltsar’s anthology Al naharot (By the rivers) (Jerusalem, 1955/1956) and other Hebrew publications, in Shmuel Rozhanski’s Mustern fun der yidisher literatur (Specimens of Yiddish literature) (Buenos Aires), the anthology A shpigl af a shteyn, antologye, poezye un proze fun tsvelf farshnitene yidishe shraybers in ratn-farband (A mirror on a star, anthology, poetry and prose from twelve murdered Jewish writers in the Soviet Union) (Tel Aviv, 1964), and also in the journal Sovetish heymland (Soviet homeland) (Moscow) 2 (1962). “There have emerged poets in the Soviet Union,” wrote Shmuel Niger, “for whom the revolution is not an upheaval or a break, but the natural air in which they were raised and grew up. Poets have appeared who, if the “Internationale” is not much of a lullaby, it was already the march that accompanied their first steps as toddlers; the Red Army, the Civil War, all the forms and activities of Communism were not topics for them, not objects to celebrate in song, but a part of their lives, their lives themselves.” “In Yiddish poetry,” noted Yankev Glatshteyn, “no one with such great talents has so thoroughly undressed a man naked and given away his last shirt to the country as has Fefer…. Itzik Fefer emerges in Soviet poetry as a young wonder with his full and lively mastery and with his pioneering and vehement reconstruction of the moderating Yiddish word. In truth, his abilities were tremendous, but very often he, more often than other Soviet poets, dishonored his own talents with vulgar proclamations, because he assumed the mission of the pious caregiver of the line and of the cruelest interveners against the opposition…. He was highly gifted with a verse-breath and verse-zest which was a remarkable phenomenon in Yiddish poetry that, thanks to Fefer, starting to look toward a new continent conquered by Yiddish. No one made Yiddish so convincingly Soviet as did Fefer. No one knew the contours of a new, broken down Jew so linguistically and musically substantial, as were Fefer’s poetry. The new Jewish Soviet personality, with its colossal and super-powerful capacity for adjustment, was nowhere so marked as in Fefer’s elastic-verbal poems through his thoroughly zigzag periods. Fefer was the Soviet Yiddish poet par excellence, because he dissolved in his own chapter with which he triumphantly opened his poem.”
Mikhoels, Paul Robeson, Fefer
Sources: Zalmen Reyzen, Leksikon, vol. 3; Ezra Korman, Brenendike brikn (Burning bridges) (Berlin, 1923); A. Finkl, in Shtern (Minsk) 1 (May 1925); A. Vevyorke, in Oktyabr (October) anthology (Moscow, 1925); Vevyorke, Der stil fun der proletarisher literatur (The style of Proletarian literature) (Kharkov, 1932); Vevyorke, in Farmest (Kharkov) (November 1934); M. Litvakov, In umru (In anxiety), vol. 2 (Moscow, 1926); Y Nusinov, in Di royte velt (Khakov) 9 (24) (September 1926) and 5 (1930); Nusinov, in Yidn in fssr (Jews in the USSR) (Moscow, 1935); Nusinov, in Heymland (Moscow) 1 (1947); Shmuel Niger, in Tsukunft (New York) (January 1927; February 1930; October 1938); Niger, in Tog (New York) (May 5, 1935); Niger, Yidishe shrayber in sovet-rusland (Yiddish writers in Soviet Russia) (New York, 1958); Sh. Epshteyn, in Di royte velt (March 1930); A. Holdes, in Di royte velt (November-December 1930); Y. Bronshteyn, in Atake, almanakh fun roytarmeyishn landshuts-literatur (Attack, almanac of the Red Army’s national defense literature) (Moscow-Kharkov-Minsk, 1931); Bronshteyn, in Shtern (Minsk) (October 1934; May-June 1935); M. Khashtshevatski, in Di royte velt (August 1931); Kh. Dunets, in In shlakhtn (Moscow-Kharkov-Minsk) (1931); Y. Dobrushin, In iberboy, literarish-kritishe artiklen (Under reconstruction, literary-critical articles) (Moscow, 1932); Dobrushin, in Shtern (July 1933); Dobrushin, Sovetishe dikhtung (Soviet poetry) (Moscow, 1935); Dobrushin, in Almanakh fun yidishn folks ordn (Almanac of the Jewish people’s order) (New York, 1947); Avrom Abtshuk, Etyudn un materialn tsu der geshikhte fun der yidisher literatur bavegung in FSRR (Studies and material for the history of the Yiddish literature movement in the Soviet Union) (Kharkov, 1934); Itsik fefer (Itzik Fefer), a bio-bibliography (Kiev, 1936), 14 pp.; Sh. Shkarovski, in Kritik (Kiev) (1938); N. Mayzil, Doyres un tkufes in der yidisher literatur, bletlekh tsu der geshikhte un tsu der kharakteristik fun der yidisher literatur (Generations and eras in Yiddish literature, on the history and the character of Yiddish literature) (New York, 1942); Mayzil, in Morgn-frayhayt (New York) (July 22, 1943); Mayzil, Dos yidishe shafn un der yidisher shrayber in sovetn-farband (Jewish creation and the Jewish writer in the Soviet Union) (New York, 1959); Mayzil, Tsurikblikn un perspektivn (Retrospectives and perspectives) (Tel Aviv: Perets Publ., 1962), see index; B. Ts. Goldberg, in Tog (July 15, 1943); Goldberg, in Naye prese (Paris) (May 28, 1946); Goldberg, in Tog-morgn-zhurnal (New York) (June 26, 1960; July 31, 1960; August 16, 1962; December 24, 1962); H. Leivick, in Tog (July 25, 1943); Y. Y. Sigal, in Keneder odler (Montreal) (September 6, 1943); Dovid Pinski, in Morgn zhurnal (New York) (September 19, 1943); M. Boraysho, in Idisher kemfer (New York) (October 1, 1943); Meylekh Ravitsh, in Keneder odler (May 1, 1944); Ravitsh, in Zamlbikher (New York) 8 (1952); Kh. Nadel, in Eynikeyt (Moscow) (March 20, 1947); Elye Falkovitsh, ed., Mikhoels, 1890-1948 ([Shloyme] Mikhoels, 1890-1948) (Moscow: Emes, 1948); Shmerke Katsherginski, Tsvishn hamer un serp (Between hammer and sickle) (Paris, 1949); Yankev Glatshteyn, in Zamlbikher 8 (1952); Glatshteyn, In tokh genumen (In essence), vols. 1 and 2 (Buenos Aires, 1960); Froym Oyerbakh, in Tog-morgn-zhurnal (November 28, 1955); M. Kats, in Yidishe shriftn (Warsaw) (July 1957); Kats, in Zamlungen (New York) (winter 1957); Y. Yanasovitsh, in Di prese (Buenos Aires) (June 25, 1958); Yanasovitsh, Mit yidishe shrayber in rusland (With Yiddish writers in Russia) (Buenos Aires, 1959); Shloyme Bikl, Shrayber fun mayn dor (Writers of my generation), vol. 1 (New York, 1958), vol. 2 (Tel Aviv, 1965); B. Mark, in Yidishe shriftn (November 1960); Chone Shmeruk, comp., Pirsumim yehudiim babrit-hamoatsot, 1917-1961 (Jewish publications in the Soviet Union, 1917-1961) (Jerusalem, 1961), see index; Yefim Yeshurin, Fefer-biblyografye (Fefer bibliography) (New York, 1962); Biblyografye fun yidishe bikher vegn khurbn un gvure (Bibliography of Yiddish books concerning the Holocaust and heroism) (New York: Yad Vashem and YIVO, 1962), see index; Avrom Sutzkever, in Di goldene keyt (Tel Aviv) 43 (1962); A. Pomerants, Di sovetishe haruge malkhes, tsu zeyer 10-tn yortsayt, vegn dem tragishn goyrl fun di yidishe shraybers un der yidisher literatur in sovetnland (The [Jewish writers] murdered by the Soviet government, on their tenth anniversary of their deaths, concerning the tragic fate of the Yiddish writers and Yiddish literature in the Soviet Union) (Buenos Aires: YIVO, 1962), pp. 188-204, 988-99; H. Remenik, in Sovetish heymland (Moscow) 2 (1963); Remenik, in Yidishe kultur (New York) (February 21, 1964); M. Basok, Mishirat yidish (From Yiddish poetry) (Tel Aviv, 1962/1963); A shpigl af a shteyn, antologye, poezye un proze fun tsvelf farshnitene yidishe shraybers in ratn-farband (A mirror on a star, anthology, poetry and prose from twelve murdered Jewish writers in the Soviet Union) (Tel Aviv, 1964).
[Additional information from: Berl Kagan, comp., Leksikon fun yidish-shraybers (Biographical dictionary of Yiddish writers) (New York, 1986), col. 450; and Chaim Beider, Leksikon fun yidishe shrayber in ratn-farband (Biographical dictionary of Yiddish writers in the Soviet Union), ed. Boris Sandler and Gennady Estraikh (New York: Congress for Jewish Culture, Inc., 2011), pp. 295-98.]