MAKS GEBIL (NOKHUM, MENAKHEM-MENDL GEBIL,
GABIL) (December 24, 1877-1952)
He was born in Gorlits (Gorlice),
western Galicia. His father, a
commercial dealer in oil, had a love of writing and, as Gebil claimed, should
have written a book entitled “Joy of laughter.”
He studied in religious elementary school, later in the Vishnitser
yeshiva, and German and Polish with a private teacher. In 1888, soon after his father’s death, he
emigrated to New York with his mother and sister. He worked in a factory making suspenders, and
in his free time studied English. At age
fourteen, he joined the “East Side Dramatic Club” and a year later began to
perform Yiddish theater in the amateur “Young Hebrew Dramatic Club.” Thereafter he was a professional actor, a theatrical
director, and the author of plays; for many years, he played a huge part in the
Yiddish theater in America. He wrote his
first play in 1895, Der zee-kenig
(The seeing king), which he himself staged at Turn Hall on Fourth Street in New
York City. A year later he wrote the
play, Tate mames tsores (Mom and Dad’s
troubles), and from that point forward he wrote, translated, and adapted a
great number of plays, only a few of which were ever published. A listing of his plays can be found in B.
Gorin’s Geshikhte fun yidishn teater
(History of the Yiddish theater), Z. Zilbertsvayg’s Leksikon fun yidishn teater (Handbook of the Yiddish theater), and
Zalmen Reyzen’s Leksikon. In Yidishe
velt (Jewish world) of Cleveland, he published articles about
theater, as well as scenes from life in New York. He also published memoirs about the Yiddish
theater in Togblat (Daily newspaper)
in Lemberg, Forverts (Forward) in New
York, and elsewhere. Shortly before his
death, he published in the Forverts
the story of his life. He died in Los
Angeles, California.
Sources:
Zalmen Reyzen, Leksikon, vol. 1; Z.
Zilbertsvayg, Leksikon fun yidishn teater,
vol. 1 (with a bibliography); B. Gorin, Geshikhte
fun yidishn teater, vol. 2 (New York, 1923), pp. 260, 279; Y. Entin, in Tsukunft (New York) (1917), pp. 301-4; Di tsayt (New York) (September 17, 1920;
January 7, 1921; February 11 and 28, 1921; April 15, 1922); A. Oyerbakh, in Di tsayt (January 14, 1922); Moyshe
Nadir, Mayne hent hobn fargosn dos dozike
blut (My hands are covered in this blood) (Vilna, 1927), pp. 145-49; Dr. A.
Mukdoni, Teater (Theater) (New York,
1927), pp. 278-88; Sh. Perlmuter, Yidishe
dramaturgn un teater-compozitors (Yiddish playwrights and theatrical composers)
(New York, 1952); Y. Mestl, 70 yor teater-repertuar (Seventy years of
theater repertoire) (New York, 1954).
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